From the category archives:

DeadMule

Hegel and Southern Yard Art

by macewan on January 19, 2008

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Hegel and Southern Yard Art: A Brief Discourse on Thesis, Antithesis, and Synthesis as Applied to Cement Chickens

By applying the Hegelian Dialectical form of analysis to the subliminal urge to acquire and prominently display cement animals in a landscape setting, one can clearly comprehend the Southern affection for yard art. The thesis (ideational entity) is initially defined as any

The Mystery of Southern Yard Art

live, sensate meat-producing animal whose functional characteristics are legitimized by their ability to sustain human life by providing nourishment essential for the survival of the human species.
The antithesis of the fully-functional food source strata of yard animal would therefore be the lurking of swine and poultry within the “yard,” serving as mere pets or for the crass entertainment of lower levels of society. A type of cultural travesty visited upon both the rural and urban body politic, as it were. The synthesis is then obvious.

If, as Hegel explains, the combination of the two (thesis and antithesis) being resolved in a higher form of truth represents synthesis, synthesis therefore can only be proved by the existence of the popularity of cement barnyard animals. The proliferation of cement pigs, and the sister sculptures signified by chickens, roosters, ducks, and turtles, represent, and further solidify, the Southerner’s need to synthesize a wanton carnivorousness with a true appreciation for art.

reprinted with permission: http://www.SouthernYardArt.com

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Dead Mule School of Southern Literature update

by macewan on December 31, 2007

Dead Mule logo

After 13 years as the authority in southern literature online the Mule gets immediate display when releasing a press release. Some how during our times babysitting the bathtube pirates for masterdad.com and janeybell.net I missed this message in the inbox.

Ya’ll… dear writers or submitters to the Dead Mule School of Southern Literature, I have been stupid sick for a couple months. Just downright dogged and lousy. Now, Dec. 29, I am finally back at my computer and writing and reading and working.

FirstScreenshot of deadmule.com
I apologize more heartily than anyone can imagine. Poets. Your wonderful writing has been neglected. Sitting alone in the inbox, the poor babies. Helen has done an amazing job with the Poetry Issue. Let’s all give her a little round of applause, ok? For those who sent poetry after November, please know I am forwarding your submission to her (she is not to blame for not responding) and you will hear from her soon.

Second
Oh my fiction and essay friends. What can I say? Many of you withdrew your stories and it saddens me to see how many marvelous pieces of amazing literature I lost. If you have not withdrawn your submission, fear not. I will, on my honor, catch up by the end of next week (Jan
6th) and get some kind of message (personal) to each and every one of you.

Last
New meds, new hope. An exercise program. Better diet. Epidural steroid injections… I’m looking forward to months (!) of feeling up to snuff
(or par or whatever it is I should be UP to, like 5′8″ maybe?)

Oooops, one more
If you have published a book, chapbook, or short story collection, please send me your title info and I will include it in the Southern Bookstore. We’re just now stocking the shelves (virutally). The store will be (sneak peek) at southernliterature.org — recommend an author, recommend yourself!

much hope for a good year in 2008!

Valerie MacEwan
Editor and Publisher
The Dead Mule

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Southern Fiction Online

by macewan on September 28, 2007

dEaD MuLe
Just the other day I got in a few of those little oval white stickers usually seen with around this area pimping the Outer Banks as OBX in bold black letters. Mine were DeadMule.com stickers - complete with the DeadMule logo followed by the sites URL. I’m very fond of the DeadMule brand that we’ve built through the last 12 years that we helped pubish Southern Fiction with the Mule.

So if you get a chance — head over to the Mule and order a t-shirt or coffee mug to show your inner southern lit.’ishness. Your cafepress purchase helps Val pay the server fees and allows her to give writers little prizes every once in a while!

The Dead Mule Store on Cafepress.

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Ed Brown Fires Shot

by macewan on July 29, 2007

Apparently the attack on Ed Brown’s property has begun.

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Darrell Grayson, innocence no longer matters

by macewan on July 25, 2007

This may not get the same attention as Korey Rowe of Loose Change fame but it should!

Please wear a black armband or wristband on 07/26/2007, in silent protest of the execution of Darrell Grayson by the state of Alabama. Mr. Grayson is to die for the December 1980 murder of Annie Orr.

Darrell Grayson has a substantial and credible claim of innocence in this case. An affidavit from a man present at the crime scene swears that Mr. Grayson was unconscious in a different location when the crime took place. A requested DNA analysis could prove his case but Alabama will not provide it. Further, the public defender provided for Mr. Grayson by the state was an insurance lawyer with zero death penalty experience. Finally, Mr. Grayson’s jury was all white as a result of the prosecution’s peremptory strikes of black jury candidates, in violation of established United States Supreme Court precedent. This case is poster-eligible as an example of the unjust procedures for death sentences in the United States of America; it is leading to the death of an innocent inmate.

Thanks for all you do to abolish the death penalty in the United States of America!

The Armband Protest against the Death Penalty


Jerry D. Ward

Visit The Armband Protest against the Death Penalty on the web

E-mail The Armband Protest against the Death Penalty

Request a free wristband

or a free armband!


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Doug Marlette’s last email conversation with val

by macewan on July 11, 2007

Val talked with Doug from time to time. Not sure of the date but Val spoke with Doug a few months ago. They got along - similar humorous outlook on thumbing your nose at the establishment - the in crowd. She freaked this morning after learning that his last pickup truck ride was last night. She rattled off all these names of folks that would be crushed. I haven’t a clue who they were - part of the Southern Literature group that doesn’t shrink from Chapel Hill cool kids. Val interviewed Doug a few months ago for the DeadMule - sadly this was his last conversation with her. rest in peace Doug

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Doug Marlette’s DeadMule conversation

by macewan on May 8, 2007

The exerpt is reprinted with permission, the entire conversation can be found at DeadMule.com.

I recently struck up another email conversation with Doug Marlette. Ya’ll might know him in any one of half a dozen different ways — as the creator of comic strip Kudzu, as a novelist (The Bridge, Magic Time), as an Pulitzer Prize winning editorialdougmarlette-magictime-bookcover.jpeg cartoonist, …hell, the man’s even written a musical!

We discussed his book, Magic Time, (which comes out in paperback published by Picador this summer) as well as life in general, life in North Carolina, new life in Tulsa, OK — well, that’s enough of my introduction, read on…

Val: Compare the literary community of Chapel Hill with that in Tulsa. Does Tulsa have a book store to compare with Quail Ridge Books in Raleigh?

Doug: For starters, I doubt the literary community in Tulsa would ever launch or tolerate or gloss over a book-banning. Oklahoma writers seem to have learned from the embarrassment caused by those in their state who banned John Steinbeck’s Grapes of Wrath what North Carolina writers failed to learn from provincial Asheville’s dumping on Thomas Wolfe’s Look Homeward Angel. Amusing as it is to me that while The Bridge rocks merrily along six years after publication, still selling steadily and winning new readers nationwide, including a growing number of book clubs and Community Reads programs around the country, both the local Orange County head librarian and the chair of the neighboring Alamance County Community Reads program have mentioned to me that to their chagrin and embarrassment they still can’t buy The Bridge in our local independent bookstore, Brick Alley Books in Hillsborough, NC, the town that is the setting for the novel. Frustrated readers have complained to me about that for years and I had to explain that the store’s owner is doing the bidding of Allan Gurganus, Lee Smith and Hal Crowther, turning her bookstore into a sleeper cell of HillQueda (the local name for their fatwa of passive aggression against The Bridge). Of course, that kind of buzz and controversy sells books and I’ve thought of sending HillQueda a dozen roses, but I’m afraid their bush-league behavior has damaged irreparably their reputations, not to mention the bookseller’s, and turned the local so-called writers community into a literary laughingstock. If Kudzu’s Bypass is a town so backwards even the Episcopalians handle snakes, I guess that makes Hillsborough a town so backwards even the writers ban books. But the truth is, as far as I know, I’m the only writer with any actual roots in town. My family goes back generations in Hillsborough and Orange County. The book-burners are recent arrivistes and carpetbaggers and do not represent the real Hillsborough. For instance, a frame shop in town wants to host a book-signing for Magic Time next month but was warned that their business would suffer if they did. I told the owner she could back out if she wanted, that I didn’t think she had any obligation to lose business over this silliness. She said, “No, I’ve talked about it and prayed about it with my daughter, and we still want to host a signing for you because it’s the right thing to do.” Bless her heart and I rest my case. That’s the real Hillsborough.

Tulsa reminds me of Greensboro or Winston Salem now, or Charlotte ca. 1980, sort of like the best of North Carolina before Yankees and traffic, and literary pretense. One of the things I wanted to show in The Bridge was how Eno (standing in for Hillsborough in the shadow of Chapel Hill) with its bourgeois bohemians and Manolo Blahniks trodding on the gravestones of slaves and lintheads had morphed from a mill village into the worst of homogenized America, with the same kind of yuppie upward mobility, shallowness and superficiality we associate with homogenized suburbia or celebrity-addled Hollywood. So far as I can tell Oklahoma has not so far developed the self-infatuation and self-importance that plagues writers elsewhere. I’ve been catching up on reading Oklahoma writers like S.E. Hinton (The Outsiders, Rumblefish, Tex) and Billie Letts (Where The Heart Is) and met them recently and they are delightful. The only independent bookstore I know of in Tulsa is Steve’s Sundries. The Barnes&Noble at 41st and Yale hosted the Tulsa debut of Magic Time.

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